New Name. Same Passion. Broadway Center for the Performing Arts is now Tacoma Arts Live

Box Office: 253.591.5894 A non-profit organization ● Energizing community through live performance Pantages Theater ● Rialto Theater ● Theater on the Square ● Tacoma Armory

Tacoma Arts Live presents

Oleanna

By David Mamet

Preview Night: Thursday, February 6 at 7:30 p.m.
Friday, February 7 at 7:30 p.m.
Saturday, February 8 at 7:30 p.m.
Saturday, February 15 at 7:30 p.m.
Sunday, February 16 at 3:00 p.m.
Friday, February 21 at 7:30 p.m.
Saturday, February 22 at 7:30 p.m.
Sunday, February 23 at 3:00 p.m.
Theater on the Square
Tickets:
Preview Night: $12
Tickets: $19, $29, $39

Talk-back with Director and Actors on February 23 following the 3:00 p.m. show.
SEX, POWER, AND PERCEPTION COLLIDE

Talk-back with Director and Actors on February 23 following the 3:00 p.m. show.
Tickets are on sale for subscriptions now. Call the Box Office at 253.591.5894.

Single tickets on sale for Members July 8 at 11:00 a.m.
Public on sale July 11 at 11:00 a.m.
Named one of Time Magazine’s “Ten Best Plays,” Oleanna is a seething investigation of sexual harassment, political correctness, and the irreconcilable differences between men and women. Pulitzer Prize Winner David Mamet pulls us into a provocative power struggle where “he said, she said” reaches deeply personal and explosive levels. This two-person story focuses on a university professor and his student as they view their out-of-class meetings from two drastically different perspectives. The audience will be challenged to decided what it means to be right or wrong in the midst of individual interpretations. This drama shines a spotlight on gender politics, privilege, status and power. Oleanna may provoke more arguments than any play you will see this year.

For mature audiences.
Preview Night tickets do not qualify for subscription packages or discounts.

Presented by special arrangement with Dramatists Play Service, Inc.
“Oleanna was one of the most stimulating experiences I've had in a theater. In two acts, he succeeded in enraging all of the audience - the women with the first act, the men with the second. I recall loud arguments breaking out during the intermission and after the play, as the audience spilled out of an off-Broadway theater all worked up over its portrait of . . . sexual harassment? Or was it self-righteous Political Correctness?”
— Roger Ebert

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